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Antaeus Short Story Essay Examples

Major Works

Borden Deal, photo by Marcia Corbino

  • There Were Also Strangers (1985)
  • Adventure (novel) 1978
  • Legend of the Bluegrass (novel) 1977
  • Bluegrass (novel) 1976
  • The Other Room (novel) 1974
  • The Winner (novel) 1973
  • A Neo-Socratic Dialogue on the Reluctant Empire (novel) 1971
  • Interstate (novel) 1970
  • Dragon’s Wine (novel) 1969
  • The Advocate (novel) 1968
  • The Least One (novel) 1967
  • A Long Way to Go (novel) 1965
  • The Tobacco Men (novel) 1965
  • The Loser (novel) 1964
  • The Spangled Road (novel) 1962
  • Devil’s Whispers (novel) 1961
  • The Insolent Breed (novel) 1959
  • Secret of Sylvia (novel) 1958
  • Dunbar’s Cove (novel) 1957
  • Search for Surrender (novel) 1957
  • Killer in the House (novel) 1957
  • Walk through the Valley (novel) 1956
  • “The New South Saga” (series)
  • “Olden Times” (series)

Biography of Borden Deal

by Ashley Jefferson (SHS)

Borden Deal was born Loyse Youth Deal on October 12, 1922 in Ponotoc, Mississippi.  He was born to Borden Lee and Jimmie Anne (Smith) Deal (Evory 160).  Deal was the youngest of three children (Lloyd 125).  He was raised in Union County near New Albany (Kibler 69).  Although he was raised in New Albany, he did the majority of his growing up around the communities of Ponotoc and Ingomar (Lloyd 125).    Borden grew up during the Depression.  Borden’s father, a farmer, lost his land when the price of cotton dropped during the Depression.  Deal’s family procured two mules from Roosevelt’s rehabilitation program.  His family traveled to a communal, government-sponsored farming project in Enterprise, Mississippi (Kibler 69).

Ashley Jefferson, SHS

Deal became interested in writing at a young age.  He knew he wanted to write since the age of six (Lloyd 125).  As he got older, he was also interested in things like fishing, golf, guitar playing, and being in the presence of beautiful and intelligent women (Evory 160).

When Deal became of age,  he attended Macedonia Consolidated High School near Myrtle, Mississippi (Kibler 125).  In 1938, Deal’s father died in a truck accident; and at that point, Deal left home to further his education (Evory 69).  After high school, Deal joined the Civilian Conservation Corps and fought fires in the Pacific Northwest.  He moved from one CCC camp to the next by hitchhiking and riding freight trains (Lloyd 125). Then he began working on a showboat. He als hauled sawdust for a lumbar mill, and then followed the wheat harvest with other migrant workers by freight train (Kibler 69).  Deal also had jobs that pertained to writing.  He was an auditor between 1941-42 for the U.S. Department of Labor in Washington, D.C.  He worked as a correspondent for Association Films in New York.  According to Evory, Deal worked between 1950 and 1955 as a skip tracer, telephone solicitor, copywriter, and a free- lance writer (Evory 160).  Borden Deal was in the U.S. Navy between the years of 1942-45 (Evory 160).  He joined the Navy as an aviator cadet.  He  was also a radar, aircraft recognition, and an anti-aircraft fire control instructor in Ft. Lauderdale, Florida, where he lived for many years (Lloyd 125).

In 1948, Deal’s first piece of work was published. Seven years after his first publication, Borden Deal  decided to  devote himself  to writing.  In 1955, Deal became a full-time professional writer of fiction (Lloyd 125),  publishing  under the names Loyse Deal, Lee Borden, and Leigh Borden (Kibler 69).

In 1946, Deal enrolled in the University of Alabama of Tuscaloosa and received his B.A. in three years (Lloyd 125).  He received his B.A. in 1949 and went on to do his graduate study at Mexico City College in 1950 (Evory 160).  Borden’s major in college was English and his minor was creative writing (Lloyd 125).  He  studied under the famed creative writing teacher Hudson Strode at Alabama (Florence).  He  also became  a student of the Jungian psychology (Kibler 70).

Deal first married Lillian Slobtotosky, who was of European parentage, in Mexico.  He and Lillian divorced but had one child.  Borden in 1952 married a second time. His new wife Babs was also a writer.  From that union were born three children: a daughter Ashley in 1954, a son Brett in 1955 or 56, and another daughter Shane, who was born in late 1959 or early 1960.  Caldwell states that Borden and Babs were married for twenty-two years before they divorced in 1975.

Borden Deal was a prolific novelist as well as a short story writer (Lloyd 125).  He made work and vocation the main focus of his novels of the New South.  The Tobacco Men, The Insolent Breed, The Spangled Road, Walk through the Valley, Dunbar’s Cove, and Dragon’s Wine are all vocational novels which he wrote (Lloyd 126).

Photo of Borden Deal by Ben Stahl from cover of The Winner.

In all, there are twenty-one novels, about one hundred short stories, and other works written by Borden Deal (Kibler 69).  His novels are spontaneous eruptions of the collective unconscious.  The major theme in Deal’s work is “man’s mystical attachment to the earth itself” (Kibler 70).  Deal considers himself “a child of my time and place” (Lloyd 125) and his writings show this strong sense of place and time (Kibler 71). According to Kibler,  Deal is a sensitive and intuitive writer ( 72).  A characteristic of Deal’s books is his tendency to “superimpose his plots and characters upon the primeval patterns of behavior” (Kibler 70).  Deal “has taken…the enormous scope and diversity of the (whole) region as a mural like canvas for his books”  (Lloyd 125).

Deal is a product of his region and past .  He knows about the people, country,  and era from which he writes (Dollarhide 9).  His family’s perseverance during the Depression accounts for  the pervasive themes of land quest and personal ambition.  He believes that the” individual mind is composed of more than the knowledge and experience internalized during the life span of the person.”  Deal feels that “the artist has the peculiar task of transmitting archetypal images and symbols to his fellowman” (Kibler 71-72).  Many of Deal’s novels are set in the South.  “The South, in both its good and its bad, is the cradle of my heart,” Deal wrote (Lloyd 125).  Deal feels that the value of his work lies “in the progressive panorama of the ‘real’ South…If someone two hundred years from now wants to know about the real South, of people working and living, they’ll have to go to my books.”  When Deal refers to the “real South,”  he is referring to the “ordinary, practical lives of contemporary Southerners (Kibler 70).   Deal has secured a reputation as a storyteller who re-creates man’s most ancient conflicts within the context of the contemporary South (Kibler 72).  Kibler says that the characters Deal writes about are honest and uncomplicated characters who are “motivated by some elemental drives of human nature” (70).

Deal is best known for Dunbar’s Cove and The Insolent Breed (May 122).  He wrote Dunbar’s Cove in 1957,  and it was made into the movie called Wild River .  This novel was a prime early example of “the documentary–an emotional statement, in terms of characters and drama and conflict, about an experienced event,  a balancing and a molding of fact and fiction into a truth greater than either alone” (Lloyd 126).  The Insolent Breed, written in 1959,  was the basis of the Broadway musical A Joyful Noise (Kibler 70). The Insolent Breed tells how a musical family make a name for themselves outside the little town of Macedonia.  The Platinum Man is the sequel to The Insolent Breed (Kibler 126). Dragon’s Wine, another novel written by Deal, was written in 1960, and it shows a deeper and darker side of Deal’s character.  This novel is a dark and bloody story that treats the outbreak of greed and demonic ambition in the human personality (Kibler 70).  Walk through the Valley was Deal’s first published novel (Lloyd 126).  According to Kibler, the novel Walk through the Valley proves Deal to be a novelist who writes with “the authority of experience of farming and the rhythms of the seasons.”  A Long Way to Go, written in 1965, is a treatment of the ritual of initiation (Kibler 70).  He wrote The Tobacco Men in 1965.  The Tobacco Men is based on notes by Theodore Dreiser and Hollywood writer Hy Kaft.  This novel is a fictional account of the Kentucky tobacco wars of the early 1900’s. It shows Deal’s love of detail and his ability to weave fact and fiction.  This novel is also noted primarily for its documentary  value (Kibler 71).  “Old Times” and “The New South Saga” are also among Deal’s finest achievements..  “The New South Saga” is a trilogy about Southern politics (Lloyd 126).

Deal’s novels have been Reader’s Digest Book Club selections.  Also, his short stories have appeared in literary  periodicals like McCall’s, Collier’s, Good Housekeeping, and Southwest Review (Lloyd 127).  Other sources state that his short stories have appeared in Saturday Review (May 122), and in volumes such as Best Americans, and Best Detective.  One short story that he is particularly well- known for is Antaeus.  It has appeared in many high school anthologies.   Deal is also known for “Exodus,” which won first prize in a national contest (Kibler 69).  This short story also won Tomorrow magazine’s college writers contest in 1948 (Lloyd 127) and was reprinted in Best American Short Stories of 1949 (Kibler 69).

Deal wrote other novels such as Secret of Sylvia in 1958 and Devil’s Whispers in 1961 (Evory 160).  Lloyd says that Deal’s The Spangled Road is considered a “circus novel” (Lloyd 126).

Shim by Reuben Davis

Deal’s work has been adapted for the screen, the stage, the radio, and the television (Kibler 69, 70). In addition, his work has been translated into twenty different languages (Lloyd 127). According to one source,  Deal was also the author of a series of lucrative soft-porn novels published with the pronoun titles He, She, Them, under the pseudonym Anonymous.

Deal was involved in many organizations such as the Authors Guild, the American P.E.N., the Tennessee Squire Association, and the Sarasota Writers’ Roundtable (Evory 160).  He was also a recipient of  the Guggenheim and MacDowell Colony fellowships in 1957, the same year that his first novel became a best seller.  He was recognized by  the American Library Association and the Alabama Library Association because he recorded, predicted, and revealed twentieth century life in the American South to be ((Lloyd 127).  He  received the American Library Association and Justice Awards for his novel Walk through the Valley and  the Alabama Liberty Association Literary Award in 1963.  He also received the John H. McGinnis Memorial Award, was named “Worst Liar of the Year” by the Sarasota  Writers’ Roundtable in 1971 (Evory 160), and was designated “Sesquicentennial Scholar” during the University of Alabama’s 150th Anniversary  in 1981 (Local People-Authors).

Borden Deal lived in Florida and became friends with David T. Warner, a  writer  who had been  raised in Tuscaloosa, Alabama, but who had moved to Florida.   In 2001 Warner wrote a book entitled  Vanishing Florida: A Personal Guide to Sights Rarely Seen.   A memoir by Warner of his friend Borden Deal is said to be the best writing in  this   book.   Unfortunately, Deal as a writer is now largely forgotten. Perhaps Warner’s book may help revive interest in the work of Borden Deal.

On January 22, 1985, Borden Deal died of a heart attack  in Sarasota, Florida. (May 122).

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Timeline

  • 1922-October 12,  Borden Deal was born in  Ponotoc, Mississippi.
  • 1938- Deal’s father died, and he decided to leave home.
  • 1941- Deal worked for the U.S. Department of Labor as an auditor in Washington, D.C.
  • 1942-45- Deal was in  the U.S. Navy.
  • 1948- “Exodus,” Deal’s first publication, was published.
  • 1949- “Exodus” won first prize in a contest and was printed in Best American Short Stories.
    • Deal received his B.A. from the University of Alabama.
  • 1950- Deal became a graduate student at Mexico College.
  • 1950-55- Deal worked as a correspondent, skip tracer, telephone solicitor, and a copywriter.
  • 1952- Deal married his second wife, Babs Hodges.
  • 1955- Deal was a freelance writer.
    • He became a full-time professional writer of fiction.
  • 1956- Deal wrote Walk through the Valley.
  • 1957- Deal  wrote Dunbar’s Cove, Killer in House, Search for Surrender, and he received recognition for Walk through the Valley.
  • 1958- Deal wrote Secret of Sylvia.
  • 1959- Deal wrote The Insolent Breed.
  • 1960- Deal wrote Dragon’s Wine.
  • 1961- Borden wrote Devil’s Whispers.
  • 1962- Borden wrote The Spangled Road.
  • 1963- Deal was awarded the literary award by the Alabama Library Association.
  • 1964- Borden wrote The Loser.
  • 1965- Deal wrote A Long Way to Go and The Tobacco Men.
  • 1967- Deal was awarded a Guggenheim Fellowship and he wrote The Least One.
  • 1968- Borden wrote The Advocate.
  • 1970- Deal wrote Interstate.
  • 1971- Borden wrote A Neo-Socratix Dialogue on the reluctant Empire.
  • 1973- Deal wrote The Winner.
  • 1974- Deal wrote The Other Room.
  • 1975- Borden and Babs divorced.
  • 1976- Borden wrote Bluegrass.
  • 1977- Deal wrote Legend of the Bluegrass.
  • 1978- Borden wrote Adventure.
  • 1981- Deal was designated “Sesquicentennial Scholar.”
  • 1985- January 22,  Borden Deal died of a heart attack in Sarasota, Florida.
  • 1985– There Were Also Strangers  published posthumously.

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Reviews

A Review of The Advocate

by Ashley Jefferson (SHS)

The novel The Advocate by Borden Deal discusses the complex life of a small town lawyer.  This novel takes place in Tupelo, Mississippi, which at that time was considered a small town.  This novel displays some of Deal’s own actions and ways of living.  For example, Deal portrays John Bookman, the main character, as a man who loves women, and it is a known fact that Deal loved to be around beautiful and intelligent women himself.

John Bookman is faced with many problems.  The problems begin when Walter Page crosses him when he begins making an effort  to get his professional life intact.  Since  he is new in town, John is very vulnerable, leaving room for Mr. Page to take advantage of and use him. One crisis that starts early begins  when  John  comes  into some money and decides that he wants to purchase a house.  This purchase is the beginning of problems with his wife Nancy.  The house is old, rugged, and  needs quite a bit of work.  Nancy feels as though it is a bad investment.  She also wonders what the rest of the town thinks, but John could care less what the town thinks.

John gets deeper into his law practice, and he and his new partner, Joe Luckey, decide to purchase some land. They need the financial aid of Walter Page.  Since Walter made John look bad before, this idea doesn’t exactly set well with  Nancy, though the three of them pursue the endeavor further.

The most threatening conflict in this novel, in my opinion, was the fact that John had a child by someone else.  Nancy was unable to have children.  Margaret, the mother of the child, was unmarried.  Mag’s father was not pleased when John came to see her.  John and Mag decided that David, their son, would be better off with John.  Nancy received David as her own.  That really surprised John, but it also filled his heart with joy knowing that his wife would accept his bastard child.   John decided that law was  no longer for him, so he ran for governor.  In the process, he gave up his partnership with Joe.  John was no longer convinced that making money was what the occupation was all about.  I personally feel that he did all of this because he began to realize that responsibility and family were more important.

The book was great, in my opinion.  The novel showed how people can be change from zero to hero, but some popularity is not always what you want.  John changed from having to struggle , to a house on the hills, and he soon realized that that house was not what he anticipated.  I think that John decided that humility was within, and for that reason, he let the entire state of Mississippi know that he had no shame.  I recommend this book to everyone.

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Related Websites

Bibliography

  • Caldwell, Sarah Tillery.  Email. “Writers and Musicians Project.”  January 27, 2001.
  • Evory, Ann. “Borden Deal.” Contemporary Authors. Volume 2. Detroit, Michigan:  Gale Research, 1962. 159-160.
  • May, Hal. “Borden Deal.” Contemporary Authors. Volume 114. Detroit, Michigan:  Gale Research,1985. 122.
  • Dollarhide, Louis. “November 10,1957…a new novel by a Mississippian.”  Of Arts and Artists:  Selected Reviews of the Arts in Mississippi, 1955-1975. Jackson:  University Press of Mississippi, 1981. 8-9.
  • Kibler, James. “Borden Deal.” Dictionary of Literary Biography:  American Novelists Since World War II. Volume 6. Detroit, Michigan:  Gale Research Company, 1980. 69-70
  • “Local People-Authors:  Borden Deal.” (Online) Available http://www.websun.com/sjcol/author.ht, April 12, 2000.
  • Florence, Rebecca. “Alabamians to Receive UA Society for the Fine Arts Awards.” (Online) Available http://www.ua.edu/sfa.ht, February 2, 1998.
  • Lloyd, James B. “Borden Deal.” Lives of Mississippi Authors, 1817-1967. Jackson, Mississippi. University Press of Mississippi. 1981. 125-127.’

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The origins of these O'Henry prize stories reveal the nature of the marketplace. Only two of the magazines represented - The New Yorker and The Atlantic - are commercial publications. The New Yorker leads with four stories (by John Updike, Wright Morris, Peter Cameron and Ann Beattie). The Atlantic follows with three (Jane Smiley, Louise Erdrich and Ward Just). And then there are such respected small magazines as Ploughshares (Joyce Carol Oates, Tobias Wolff), Antaeus (Stuart Dybek, Joseph McElroy) and The Sewanee Review (Gloria Norris).

''The stories deal with life as it is lived,'' Mr. Abrahams said. ''If there is an emphasis on private lives and personal dilemmas, these themes reflect the state of affairs in the country. The sad part is that some fine short-story writers feel that they have to go on to a novel. It was enough for Chekhov to be a short-story writer and playwright. As an editor, I'd rather have 20 good stories than 20 bad novels.''

'Great National Factory'

''There's a great national factory out there,'' said Roger Angell, the senior fiction editor at The New Yorker. ''If you open the windows, you can hear the sound of typewriters driven by people writing short stories all over the country. It may tell something about the state of the novel that this seems to be a particularly good time for the short story.''

The New Yorker receives about 14,000 short-story submissions a year and publishes almost 150 - far more than any magazine in the country. The fiction editors scout many of the literary magazines. When someone submits a story and talent is spotted, the editors do not use a straight rejection slip but often send out an encouraging word for the next time.

Christine Newman, literary editor of Chicago, which publishes short stories regularly, receives thousands of submissions for the magazine's annual Nelson Algren short-story award. Miss Newman said that perennial themes include child abuse, death of a parent, incest, falling in and out of love - ''but then something unexpected can come along with an internal logic that works that is beautifully written, moving, and tells me something I don't know.''

A Commercial Market

A number of editors said there is a commercial market for short stories that makes it possible to publish them without apologies.

Among the single-author short- story collections out this season or on the way are ''Annie John,'' by the New Yorker staff writer Jamaica Kincaid; ''The Image,'' by Mr. Singer; ''Later the Same Day,'' by Grace Paley, whose greatly admired ''The Little Disturbances of Man'' has just been reissued; ''Oriental Tales,'' by Margaret Yourcenar; ''Mr. and Mrs. Baby,'' by Mark Strand; ''Self-Help,'' by Lorrie Moore; ''Goldkorn Tales,'' by Leslie Epstein; ''Reasons to Live,'' by Amy Hempel; ''Captain Maximus,'' by Barry Hannah; ''The Blue Bedroom,'' by Rosamunde Pilcher; ''You Know What Is Right,'' by Jim Heynen, and ''Collected Stories,'' by William Humphrey. And collections by the western writer Louis L'Amour sell in the millions.

In addition, there are multiple-author books, including a new trade paperback series, ''The Editors' Choice: New American Stories,'' compiled by George R. Murphy Jr. This year it includes Alice Adams, Margaret Atwood, Laurie Colwin and Mary Gordon. Mississippi's remarkable group of storytellers (Walker Percy, Eudora Welty, Willie Morris, Gloria Norris and others) will appear in ''Mississippi: Reflections of Childhood and Youth.''

Two hardy annuals continue: ''Best American Short Stories,'' edited this year by Gail Godwin with Shannon Ravenal, and the O'Henry collection.

Robert Gottlieb of Knopf, which publishes many short-story writers, said that there is definitely a change and that story collections are selling profitably. For example, David Leavitt's ''Family Dancing,'' which came out last season, is approaching the 15,000 mark in sales.

''Publishers used to pat themselves on the back, as if doing the author a favor, and editors still hope to see novels, but short-story collections and novels are no longer as umbilically connected as they once were,'' Mr. Gottlieb said.

Roger W. Straus said that short- story collections have become a staple and remain on the backlist at Farrar, Straus & Giroux. Among authors with collections at this literary house are Bernard Malamud, Isaac Bashevis Singer, Edna O' Brien, Flannery O'Connor, Jean Stafford, Peter Taylor and Alberto Moravia.

Like poets, short-story writers knock at any door. If they can't make The New Yorker or The Atlantic or one of the women's magazines that pay for fiction, they turn to the 300 small magazines listed in the annual directory of literary magazines put out by the Coordinating Council of Literary Magazines in New York. There, they find possible outlets ranging from Antaeus to Xanadu.

Jennifer Moyers, executive director of this nonprofit organization, said that circulations of the small magazines range from a few hundred to a few thousand. A handful of the more prosperous ones even pay - in the low two figures. ''It's publication that counts,'' Miss Moyers said. ''Most of them pay by giving the short-story writer a free copy of the magazine.''

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